By the time you're all done, your track will sound so machine-like, you'd be better off programming it in the first place. All human touch can be easily removed from the track with a few clicks and keystrokes. what can you do with those MIDI tracks? Run them into a virtual drum instrument like EZdrummer or Abbey Road, and correct the velocity and timing of each recorded MIDI note. However, in the studio, which is where most trigger abuse occurs, it's very possible to record your drum parts via MIDI through the drum triggers. Drum triggers have absolutely no bearing on how well you play on your own. Their constant arguments are "Drum triggers just change the sound of your drum kit!" or "Drum triggers don't make you play better!" Both of these arguments are valid - WHEN YOU'RE TALKING ABOUT A LIVE PERFORMANCE. I always love it when people try to defend the use of drum triggers to aid in playing drum parts that are on this level of "technicality". The way that Rings of Saturn drum parts are written, I'd almost rather hear a machine do it in a live setting than have to watch some poor bastard try and play something that mankind was not meant to play, or even write in the first place. He plays it extremely sloppy, and you can hear the dynamics in his snare, too. You want to see how unplayable these drum parts are? Go to YouTube and look up Aaron Stechauner playing "Senseless Massacre". Let's have a minute of silence for all the dynamics that were killed everywhere else. A truly vile thing about Kitcher's drum programming here is the fact that he leaves the velocity for the blasts and gravity blasts and kicks at maximum, and then adds in slower sections where he programs in GHOST NOTES. Cheezy triggered blast beats and gravity rolls combined with card-in-the-bicycle-spokes double kicks make up a drum track that is not playable by a human exactly as it is at any level of skill without severe studio enhancement abuse. Kitcher programmed all the drums for this album in Superior Drummer (a fact confirmed by former RoS drummer Aaron Stechauner), and, of course, they sound like shit. Rings of Saturn hired an infamous drummer (sorry, drum programmer) to do drums for this album: Aaron Kitcher, a man famous for being in a band that is practically an internet meme by its own design. Those idiots (who, sadly, do exist) must have next to no knowledge of music technology, music composition, music theory, or some combination of those three, because it doesn't take much to see what an astounding musical flop "Lugal Ki En" is. There were too many people out there to be fooled into thinking that Rings of Saturn was an insane technical machine that churned out incredibly br00tle music that would leave the likes of Cannibal Corpse in the dust. There was no need for them to try and make music that sounded genuine. There was no need to mature, because they were getting rich off their wankery. We can probably attribute this to the fact that RoS got very famous and rich in a hurry by making funny 8-bit sounds with their guitars, writing funny stories about aliens, and running their drums through more processing than KFC mashed potatoes. No such maturity presented itself here, though. ![]() The members of the band were in their mid-20s at the time of "recording" this album, and you'd think that they would have matured somewhat in the time period between this effort and their previous pile of feces, "Dingir". "Lugal Ki En" (it means something in Sumerian Cuneiform, I think) is an album full of music that is just as inane, pseudo-intellectual, and nonsensical as its title. ![]() Perhaps hearing classical music might cause aliens to be interested who knows? However, if those gold records contained Rings of Saturn music, the aliens would no doubt turn their weapons on Earth, yelling "You dare to leave behind this shit for us to listen to?" as they fired relentlessly. I believe the record contained classical music of some sort. When mankind launched the Voyager spacecrafts, he launched with them two solid gold records, with earthling music on it for alien life to listen to, should they ever find the two spacecrafts.
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